crafting

Once again: Art is work, not throwaway entertainment. You need to pay for it.

Get a load of this email. I deal with this ALAALALALLALLLL THE TIME.

Your Name: xxxx
Your Email (which I don't intend to share): xxxxxxxx@att.net
Subject: I have a question
Message: Mr Murphy I have a quick question why is Julian van voon soo expensive he is so cute and that one is my most favorite I really wish you could lower it to a more reasonable price because I would willing to buy it Sincerely xxxxxx

Julian
Well.. Expensive is an opinion. Here are the reasons I've priced Julian the way I did:

He's handmade, which means it took me more than just an afternoon and a YouTube tutorial to disassemble the blazer I made him from, reinterpret the parts, trim, shape and cut them, stitch, stuff and close him up. 
He's very complex and detailed, which means it took me probably more time designing him than actually putting him together. 
He's one of a kind in the whole world. 
Add to that, he's kind of a published celebrity and comes with a free copy of the book he stars in, signed by the author.. 

I think he's kind of cheap. 

What kind of price do you think is reasonable?

Thanks for asking, 
John

And to all of you reading.. I realize this is a tough economy. When someone has a spare $150 lying around they’re probably going to use it to feed their family or invest in home repair. I realize few would make such discretionary purchases this day and age. But those people exist and I’m patient.

The email above begs certain questions: What do you make per hour? What do you need to earn to survive? Would you take any less than you think you’re worth? Would you take any less for your time than you need to make your ends meet? My work is valuable to someone out there. It isn’t valuable to everyone, which is why I counsel kids between the rare opportunities my art actually earns me cash.

Making soft sculpture by hand is such detailed and time-consuming work that it is no longer worth my time to create them full time anymore. Opinions like those expressed in the above email confirm for me that I should stick with counseling and pursue loftier artistic pursuits than one-off plush monsters.

I extend my sincerest thanks to the occasional few who get what artists do. There aren’t enough of you to make us want to stick around full time. And like I’ve said before, I’m just going to make what I want to make, when I want to make it. And I’m going to price it how I want. For the nay-sayers who think plush works should be cheap for whatever reason, go ahead and buy a copy of Closet Monsters where Julian’s pattern is taught. Make a Julian yourself and consider what the effort is worth to you.

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